Last week I had a successful critique for Draft 3 of my novel, and I am so grateful to my readers. This group of very intelligent and supportive people read through the entire 300+ page draft, wrote notes, and joined the critique with thoughtful and honest comments. Over the past few days I have also had a personal calls with people who weren’t able to make the crit. Thank you to all my readers for your encouragement and the effort you’ve put into this.
We discussed everyone’s favorite scenes, favorite moments, the world-creation, and the construct of being popular in this novel. And the main things I have to work on are, let’s see – the beginning, the end, and my protagonist’s character arc. No big shakes, right? For some reason I thought that by the fourth draft I might be working on things like, I don’t know, expand this scene, cutting this specific scene. Sentence structure, refining dialogue – well, it seems the dialogue is one of the strengths, and wordsmithing on the sentence level doesn’t happen until oh, about draft 8.
With previous drafts I was getting comments randomly, and there was no dialogue between critiquers, so it was hard to be sure what I wanted to take and what I didn’t. This critique was so great because people talked to me and to each other, so I got to see clearly what was disagreed upon and what everyone thought was a necessary change.
When my mentor said he thought I should cut the first 60 pages, I wanted to tear my hair out. Apparently it’s a common thing for young writers, not to begin where the story actually begins. (I hate to think of myself as a “young” writer, even though I am, and I was so sure I was starting where it really begun!) I’ve let that little dagger sit for awhile and have gotten used to the idea. Thinking about okay, how might I do that? I brought the question to critique, to general agreement – yes, much of the beginning should be trimmed (a nice way to say, cut). The question – to prologue, or not to prologue – remains. (How often do people really read prologues? I do, because it’s usually part of the fiction. I’ll admit, however, I hardly ever make it past the first few pages of a forward.)
Usually for me critiques go one of two ways. Excitement, inspiration, I want to work on this immediately. Or deflation – it will never be what I want, I can’t even look at this right now. My general feeling after this critique is okay, here we go again. I’m elated that it went so well, afraid I’ll never get it published (sure, each draft has been significantly better than the previous, but still so riddled with issues), and ready to work on it again. I’ve heard many different forms of advice, one of them being that you should never begin work on a piece directly after a critique. You have to let it sink in, work in your subconscious, so when you go back to the piece, you have a place to go. To me, two months seems like forever. I feel like I’ve been away from my novel for a long time. But two months isn’t really that long. Often, it’s advised you take much more time away to get perspective. I have short stories that I’ve been working on for years, and the most recent drafts could never have happened back when I first wrote them.
What I’m getting to, is whether or not I should do NaNoWriMo. That’s National Novel Writing Month – November. Next month. I’m afraid that beginning a whole new project in the middle of my first novel is a crazy idea. At the same time, perhaps the time away would give me needed perspective. But if I begin a new novel, isn’t it only that much longer to publishing my current one? It’s a great thing for craft, to be writing and writing and getting perspective and writing some more, but a person could spend her whole life doing this and never publishing.
I’ve had the idea for my next book for a long time. It’s been brewing in the backround, and I’m starting to get excited about it. Several members of my writers’ group are going to participate. We even have a word counter up on the blog. I so want to participate in this race, be inspired by some healthy competition!
My mentor is adamant that I don’t step too far away from this novel. “You’ve worked too hard,” he said, “To let this go.” Perhaps I can use the buzz of NaNoWriMo to speed along my revision. A whole new draft in a month? That would be amazing. I just don’t know if this is a process that can be sped up.